Railroad disasters aren't funny. And yet, I can't help but wonder what it's like to be on a crew that is assigned to clean up after one. I'm talking specifically about cargo trains—miles and miles of debris following a derailment—whose contents could be anything from produce to live animals possibly cows to wrangle? to highly toxic chemicals. Of course, I don't want trains to wreck. That must be the worst kind of slow-motion destruction. But I would definitely help clean up after a problem occurs. Did you know there are companies who specialize in mainline derailments? What a fascinating job. 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Testimonials are the most reliable way to judge services for quality work. On closer inspection, nationally there was no such long-term decline and not even a short-term one during the downturn. Harvard, for example, issued a report in 2013 citing the illusory halving of the humanities’ national share since 1966, and also highlighted the gentler decline at Harvard itself, where the sciences have been doing better than the national average. The report denied that this was a ‘Harvard-specific’ phenomenon, but then compared itself only to ‘its peers’ – ie Yale and Princeton – where, in any case, only very marginal declines had registered. Perhaps a tempest in a teapot – or perhaps a real phenomenon confined to elite universities. In any case, talk of a crisis triggered by a decline in a percentage point or two does seem like an overreaction that is likely to contribute to rather than ameliorate the alleged problem. Because, in the context of continuing expansion, in most places the sciences and the humanities continue to decline in relative share with the humanities less so than the sciences, but to grow in absolute numbers. <a href='http://wolontariat.mopr.kielce.pl/wp-content/uploads/2015/02/page.php?q=buy-ready-made-essays'>buy ready made essays</a> human geography term paper <a href='http://wolontariat.mopr.kielce.pl/wp-content/uploads/2015/02/page.php?q=order-assignment'>order assignment</a> steps to write business plan G.L. Giles: I was first interested in Gothic horror. Poems like Coleridge's Christabel, and books like Mary Shelley's Frankenstein and Wilde's The Picture of Dorian Gray really held my attention and stimulated my imagination. Furthermore, I ended up writing my Bachelor's Essay, while in college, on the life and works of Nathaniel Hawthorne. So, American Romanticism became a focal point as well. As American Romanticism oftentimes focuses on emotional states, fantasy worlds, outcasts, aspects of the sublime in the awe-inspiring, impressive ways, etc. it is closely aligned with gothic horror. However, a personal sickness was the catalyst for me to start writing in the what I call horror sub-genre of “fictional vampire literature. I was first diagnosed with basal cell carcinoma a type of skin cancer in my early 20s. I think I was subconsciously, at first, drawn to the vampiric creatures of the night, many of whom couldn't stand much of the sun's rays, because I could relate on some level. Yet, it's also of note that I related most to the noble beasts or noble savages sort rather than those merely into senseless violence. The only real exception to this is the fact that I do love most zombie lore, which sometimes comes across as senseless, though perhaps in its inception it wasn't with bokors probably running the show. 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